主办：中国美术学院雕塑与公共艺术学院

           中国美术学院当代纤维艺术研究所

承办：中国美术学院雕塑与公共艺术学院纤维艺术系

 

Host：Sculpture & Public Art School of China Academy of Art

               Contemporary Fiber Art Institute of China Academy of Art

Undertaker：Fiber Art Department of Sculpture & Public Art School

                                     of China Academy of Art

 

 

 

 

卷首语

 

    金秋10月，中国美术学院雕塑与公共艺术学院、中国美术学院当代纤维艺术研究所将联合启动“纤维艺术国际讲堂”。旨在连接学院教学与国际纤维艺术艺坛，让来自不同文化背景的艺术家与学者分享他们的艺术理念、实践经验和最新研究成果，为同学、艺术家和广大纤维艺术爱好者们建立一个开放平台，既可以在这里相互学习，也可以交流思想，为理解纤维艺术和创作艺术探索新的可能性。

    时下快速发展的艺术环境中，纤维艺术作为一种独特的艺术形式，不仅涵盖着传统编织、刺绣等技艺，更经历着现代科技和新材料的重塑，过程中所形成的艺术思考、表现力和专业视野正在收获广泛的关注与认可。

    启动“纤维艺术国际讲堂”，诚邀来自全球各地的纤维艺术研究者和实践者，以灵活的方式推出讲座、工作坊、论坛等学术活动（每一板块的艺术家和学者可以自由设计内容和分享形式），从理论探讨到技术实践，从艺术思想到材料媒介……我们鼓励参与者们讨论互动、积极提问、交流思想，借此推动对纤维艺术的认识与理解，也让更多人领略到纤维艺术的魅力与深度。

    “纤维艺术国际讲堂”群星闪耀，启发创意，碰撞思想。期待大家的关注！

 

 

FOREWORD

 

In the Golden Autumn of October, the Sculpture and Public Art School of the China Academy of Art（CAA）, in collaboration with the Contemporary Fiber Art Institute of CAA, will officially launch the "International Platform of Fiber Art".

 

The platform aims to bridge academic teaching and the international fiber art community, inviting artists and scholars from diverse cultural backgrounds to share their artistic concepts, practical experiences, and latest research findings. This open platform will serve as a space for students, artists, and fiber art enthusiasts to learn from one another, exchange ideas, and explore new possibilities for understanding and creating fiber art.

 

In rapidly evolving contemporary art environment, fiber art, as an unique form, not only embraces traditional techniques such as weaving and embroidery but is also being transformed by modern technology and new materials. The artistic thinking, expressive power, and professional perspectives that emerge from this process are gaining increasing attention and recognition.

 

By launching the "International Platform of Fiber Art," we warmly welcome fiber art researchers and practitioners from around the world to participate in flexible academic activities such as lectures, workshops, and forums. Each div will allow participating artists and scholars to freely design their content and share in diverse formats - ranging from theoretical discussions to technical practices, from artistic ideas to material media... we encourage participants to engage in discussions, bringing up questions, and exchanging ideas. It will foster deeper understanding and appreciation of fiber art and allow more people to experience the depth and beauty of fiber art.

 

The "International Platform of Fiber Art, CAA" will be a constellation of brilliant minds, inspiring creativity and sparking dialogue. We look forward to your attention and participation! 

 

 

 

 

 

 

 

 

艺术总监：班陵生

Art Director：Ban Lingsheng

学术主持：施慧

Academic Host：Shi hui

策划人：黄燕

Planner：Huang Yan

策划组：黄燕、阿萨杜尔·马克洛夫、

          宋春阳、刘嘉琛、李军毓

Planning Group：Huang Yan，Assadour Markarov，

Song Chunyang，Liu Jiachen，Li Junyu

 

 

 

 

 

 

 

 

特邀主讲

特邀主讲

Guest Speaker

 

【挪威】卡里·迪尔达尔  Kari Dyrdal，Norway

【美国】Choi+Shine建造所  Choi+Shine Architects，US

【英国】艾丽丝·凯特  Alice kettle，UK

【加纳】易卜拉欣·马哈马  Ibrahim Mahama，Ghana

 

 

 

Kari Dyrdal

 

    卡里·迪尔达尔（Kari Dyrdal，挪威）是一位纺织艺术家，以其巨型壁挂闻名，她在文化传统的手工织造技艺和经过精细研究的数字化生产之间展现出双重的精通。迪尔达尔的创作实践深入探讨记忆，通过图案、重复和结构来表达她对美学与文化遗产的思想。

    迪尔达尔现任教于卑尔根大学艺术、音乐与设计学院。她的作品曾在奥斯陆国家博物馆、卑尔根KODE/西挪威工艺美术博物馆、波士顿美术馆等展出。

 

Kari Dyrdal is a textile artist, known for monumental tapestries that exhibit a dual mastery of the cultural tradition of hand weaving alongside an intricately researched digital production. Dyrdal’s practice involves a deep investigation of memory, incorporating pattern, repetition and structure as expressions of her ideas on aesthetics and cultural heritage. 

 

Drydal serves as a professor in the Faculty of Art, Music and Design at the University of Bergen. Her work has been exhibited at the National Museum, Oslo, the KODE/Vestlandske Kunstindustrimuseum, Bergen, and the Museum of Fine Arts Boston, among others.

 

 

 

 

 

 

 

Choi+Shine Architects

 

    CHOI+SHINE 建造所（CHOI+SHINE ARCHITECTS，美国）是由崔珍（Jin Choi）和托马斯·夏因（Thomas Shine）创立的国际艺术设计工作室。他们的作品曾在世界各地的博物馆和画廊展出，并被《BBC》、《CNN》、《费加罗报》、《晚邮报》和《卫报》等主流媒体报道。

    崔珍的作品在全球顶级场馆展出并发表，2013年被韩国建筑师协会评为“全球青年建筑师”。她现任阿姆斯特丹灯光节的首席策展人，并与托马斯·夏因共同发明了多项专利作品。托马斯·夏因现任教于耶鲁大学建筑学院。

 

CHOI+SHINE ARCHITECTS is an internationally awarded art and design studio established by Jin Choi and Thomas Shine. Their works have been exhibited in museums and galleries worldwide and published in major press, including the BBC, CNN, Le Figaro, Corriere della Sera and The Guardian. 

 

Jin Choi's work has been published and exhibited at world class venues and In 2013, she was selected by The Korean Institute of Architects as a “Global Young Architect”. She is the Lead Curator at the Amsterdam Light Festival and is the co-inventor of several patented works with Thomas Shine. Thomas Shine is currently teaching at Yale School of Architecture.

 

 

 

 

 

 

 

Alice Kettle

 

    爱丽丝·凯特（Alice Kettle，英国）的巨型具象刺绣作品，通过将自传体及当代事件与民间传说和神话相结合，描绘了人类现状的挑战与抱负。她的艺术作品在全球众多公共收藏中均有展出，包括英国维多利亚与阿尔伯特博物馆、伦敦工艺理事会、英国曼彻斯特惠特沃斯美术馆、意大利都灵国际现代应用艺术博物馆以及拉脱维亚里加装饰艺术与设计博物馆。

    她现任曼彻斯特城市大学曼彻斯特艺术学院教授荣誉职位，曾出版多部著作，包括《机缝艺术视角》、《手缝艺术视角》、《以工艺为媒介的合作》、《面料的隐喻性》，以及即将由布鲁姆斯伯里出版的《解读线迹：布料与传播》。

 

Alice Kettle’s monumental figurative stitched works, describe the challenges and ambitions of the human condition by colliding the autobiographical and contemporary event with folklore and mythology. Her artistic work is represented in many international public collections including the V&A Museum UK, the Crafts Council London, the Whitworth in Manchester UK, Museo Internationale delle Arti Applicate Oggi, Turin, Italy, Museum of Decorative Art and Design, Riga, Latvia. 

 

She is Professor of Textile Arts at Manchester School of Art, Manchester Metropolitan University, honorary role. She has an enduring interest in collaborative work and empowering marginalized communities through creative means. She has co-authored various publications including Machine Stitch Perspectives, Hand Stitch Perspectives, Collaboration through Craft, The Erotic Cloth and forthcoming Reading the Thread: cloth and communication with Bloomsbury.

 

 

 

 

 

 

 

Ibrahim Mahama

 

    易卜拉欣·马哈马（Ibrahim Mahama，加纳）经常使用现成物进行创作，通过他的艺术实践赋予这些物品新的意义。马哈马最为人熟知的作品是在建筑物外表覆盖旧黄麻袋，这些黄麻袋是他与团队合作缝制在一起，形成拼布般的作品。

    马哈马1987年出生于加纳的塔马利，是2019年威尼斯双年展首届加纳馆中最年轻的参展艺术家，他也曾在阿克拉和库马西举办过多次个展，并在都柏林、密歇根和伦敦的白立方画廊举办过个展。

 

Ibrahim Mahama often works with found objects, transforming them in his practice and giving them new meaning. Mahama is best known for his practice of draping buildings in old jute sacks, which he stitches together with a team of collaborators to create patchwork quilts. 

 

Born in Tamale, Ghana in 1987, Mahama was the youngest artist featured in the first Ghana Pavilion at the 2019 Venice Biennale,he also has had multiple solo installations in Accra and Kumasi, as well as solo exhibitions in Dublin, Michigan, and at White Cube in London.

 

 

 

 

敬请关注后续推送信息了解详情

 

 

 

图文编辑|刘嘉琛 叶泽光

内容审核|黄燕 李军毓

 

 

 

 

 

 

敬请关注及订阅中国美术学院纤维艺术系官方微信，获取更多精彩推送！